Tuesday, August 10
a true bohemian creates carnivals with every outing
when i finally found the source, the show was mostly over; there was a peculiar gathering at some Methodist church-cum-campsite somehow inspiring or inspired by the fireworks. considering the line of mostly-empty booths, the impromptu serenade of Pearl Jam covers by some guitarist with a folding-chaired audience, and the terrible steering of several giant gocarts, i would say this was some regular event. celebrating what, i've no idea, but i parked in some hopefully inconspicuous spot between a largish white building possibly used for washrooms and a truck that was also largish and white - i think i hoped my car, white but small, would be camouflaged - and wandered around for a bit.
there was definitely some sort of party happening. several sorts, actually, going by the multitudinous turnout. and the way that, even squinting in the glow of bonfires and the headlights of those leaving after the show's end, i could sort of suss out section breaks. there was a place with lots of decorated campers, one with various tents to their right, and a veritable sea of shiny darkened cars all over everywhere else. it was too dark to read the signs directing traffic or separating settlements, but it was almost like stumbling upon a convention for nomads. which, for all i could comprehend in the dimness, i had done.
aside from the confusion of chatter - and the certainty that someone from the prominent police presence was going to arrest me for Blatant Disregard of all the white-fonted signs capslocking about registration - my foray into the loud and multiscented was absolutely phenomenal. i knew no one, but this crowd, despite the glaring recognition that i did not belong, stood out amongst all the other throngs into which i've before stumbled; i walked away feeling phantasmagorical and so alive.
though i suppose the part where i sped around deseatbuckled on dirt roads for twenty minutes afterward, screeching along to Led Zeppelin and thrusting my head out of my car's sunroof, screaming ecstasy at the farmnight, had something to do with it.
(mission accomplished, by the way: i loaded $56 worth of food into the back of my bruised automobile; my, aren't a lady going to be gargantuan in a week)
Saturday, July 10
where's the skill in catching fish that are clambering into your boat?
technology has caught up with the creatively-inclined inhabitants of wealthy countries, and so this last century has been spent self-publishing all sorts of projects that would never have seen the light of day even as recently as the 1920s, when the mostly white, mostly male, always affluent, and eternally erudite people of the world were the only successful artistic types. nowadays, anyone gets acclaim from numerous supposedly-prestigious societies that no one has ever heard of, and therefore becomes 'known' in ever diminishing bubbles of popularity that have no impact or resonance with the idea of mainstream society.
for example, how many names out of these current world poets laureate are recognizable by any majority? and how many people in those majorities can name poetry by those writers? what prestige is there in a manifold mediocrity?
i'm all for breaking down unfair boy's club boundaries, but whatever happened to the positive kind of standardization? the one that meant if so-and-so said you were worthwhile, that yes, objectively, you were? because i want to embody that, but i can't think of a single name newer than Sylvia Plath (of the 1950s, so 60 years ago) that provides instantaneous artistic acknowledgment; even if someone thinks she was shit, or only recalls her suicide story, she's still remembered by America's semi-educated masses. the only people with that kind of fame in the modern world are tween celebutantes and cultural douchenozzles.
Wednesday, June 23
without you, i'm nothing: six people who make me, every day
not to my best friends, because they are obvious and anything i would say to them i hope they already know. anything i haven't expressed i could never admit.this may sound sarcastic at times, but every word is sans cere.
1. you inspire me. conversing with you, i sit up straighter, shoot the shit sharper, and snark snider. i hope one day you'll realize how far you outstrip me, gather up your stardust and expand. i hope you never do.
i like to sift through your photographs and note how cohesive your composition never fails to be. i like to then look at my own photos and struggle with whether or not to throw them all out and pretend i never tried to overstep my point-and-shoot kodak limits in the first place.
nothing is healthier for a self-absorbed pseudo-artiste than to realize she's actually quite shit, and should go sacrifice her soul to a cubicle.
2. you bring out everything i fear about myself and make me love it. i am always at my most self-destructive around you, and i never am happier. you keep me honest; keep me aware that i am not a 'good' person and that Antihero is the archetype i am because Antiheroes don't want redemption.
i suspect one day you'll thinspirate yourself out of existence but the ride there will be exquisite [as will that trip from the Eiffel Tower].
3. you vindicate me. if i had been alone and overpowered by that incessant pressure, i may have cracked. i may have given up. i may have relinquished everything i stand for, and been led docile as they could have ever hoped.
but you finally, finally, came into my life, and regardless of my jokes, i would never have sought a replacement. you are my calvary, my confirmation, my compatriot.
i pray for you under onslaught of every word i cannot twist, every opinion i cannot reconstrue, every mark i cannot shape. but you are vibrant, and you are powerful; you have my dusty footprints to guide you if so you need them.
4. you are all the parts of me i left behind. you are that which curves my feet and directs my path. in no kind way, but all the necessary ones, you are what jolted awake my ambition, and the snark that fueled my flight away from you.
i wonder if you have found your own reasons to grow, or if you are still content in the squalor of your personality. many days, i do not care, but every day i inhale deeply the air that does not reek of our rotting.
5. you polarize me. with each callous phrase you utter, blundering your way to success with a carefully intuitive grasp of networking policies and a vast reserve of dumb luck, i burn colder and bluer. you are my moral south. in any situation, i recall you, the shadow in the mirror. always your black memory affirms the shades in which i must logically myself be cloaked, and i navigate accordingly.
i blush for the cruel mantle i fasten on your shoulders, but you forever bear it with little affect. one day, i would like to strip you of your many superciliious folds, and examine the creature that conceived of them. i expect, however, that it would resemble too greatly myself.
6. you dented my first fingerprints. an ever-warping kiln, you melted the very muscle from my bones, hoping to leave even them brittle and malleable. but clay hardens with pressure, and though your smudges disfigured me, i retained the shape with which i was born. in some ways, you gave me focus; by setting me up to swerve, you ensured i would never sway, and i thank you with all vindication for creating the very same black sheep that you shun.
i would say more, like that my gratitude extends to debt, but my continued willingness to pretend that i yearn to appease you makes us even. my capacity to respect a creature that refuses to acknowledge upon me any such similar courtesy is too limited for anything else.
Saturday, May 22
consider this like those short answer paragraphs you had to fill out on exams
~
3) What is the difference between a dork and a nerd?
i always define nerd as someone connected with academic achievement or interest. loves books, etc. like Stephen Fry. dorks are people who like WoW and playing D&D and other such games. or reading/writing fanfiction. geeks, in turn, are those who like science, as opposed to just academics. science fiction, and robots, and technology, etc.
6) Do you think that sex addiction is real?
suppose that depends on how one defines 'addiction'. if you treat sexual desire/intercourse/etc as something one can crave and develop a psychological need for, then of course, like many other things, one can be addicted to sex. i doubt that is something people disagree on.
however, there is a far different stigma attached to being a 'sex addict' as opposed to someone who just 'fucks around' or is a 'slut'. maybe that's what people object to? because if celebrities in sexually scandalous situations can be spun as needing help, as having some sort of compulsion, then it can be said that he wasn't entirely in control of themselves, and therefore deserve less scorn that people who simply don't want to keep their junk in their pants. because of the high-profile nature of sex scandals, there is always a possibility that someone might say he/she is addicted to sex, but not actually be so?
then, of course that idea trickles down and re-erects (pun accidental, but rolled with) the stigma associated with sex scandals that aren't based in addiction or psychological dysfunction. and then those who actually do have some serious problem may not be able to get help.
8) Do you think that some people are not meant to be parents at all?
yes. parenting is a lifetime investment that involves not just birthing and feeding and teaching hygiene; a parent must prepare the child for 'normal' methods of social interaction, supporting oneself financially, making decisions based on rational principles in order to positively affect one's direction in life, etc. when you bring a life into the world, you take on the responsibility of setting it on solid ground and letting it run amok. there is no 'break it & buy it' policy on Life, but neither is there a reset button on the Soul. every idiosyncrasy a parent has is catalogued by the child for mimicking at a later date, until a severe introspective study provides the impetus to discard every terrible virtue imprinted on a person by a family member. assuming, of course, that the introspective study is something everyone undertakes (they don't).
a friend of mine answered it brilliantly, and so i shall simply steal an excerpt from her:
I think that parenthood is a calling, like becoming a member of the clergy, rather than something everyone ought to do to live a full life. Some children want to grow up to have a family and know it even when they're young; and even though it's much, much, much more encouraged and accepted in girls than it is in boys, I've known plenty of young men who strongly desired to have a family and are actively making plans to accommodate one in the future. I think that while many uncalled people thrust into that situation can adapt to it and become a passable or even great parent, people who don't feel called to start a family shouldn't feel any pressure to do so, or face any negative repercussion from friends, family, coworkers, strangers, or employers for choosing not to. We who don't want to be parents should never feel like we should.
i don't answer the question under the belief that there's a parenting gene or anything, but there are people who just can seem to make responsible decisions, or who show concern only over their own well-being. and they should never be parents.
Sunday, May 2
procrastination is a fairy godmother; enjoy her gifts
regardless, i was reading the Aeneid a month ago, and there was an assignment for one of those 'reader response' journals, and i think i made quite a point during one of the 'entries'. i will therefore offer it as good tidings, and come up with something more recent in a few weeks.
end of term exams are nigh, and i haven't yet figured out if i shall be dining on dashed dreams after they've finished with me.
=
Aeneas is continuously referenced as pious and righteous and all manner of bleeding kittens from his rectum, but there is a scene wherein even he winds up losing his seemingly endless supply of control – the slaughter of all those Italians before he finally fells Turnus. Is that a What The Hell Hero moment, or is it justifiable in the face of everything that’s just happened in the last few books?
Everyone can understand the feeling of losing control when under duress, and by this point, Aeneas was definitely cracking. Virgil notes that Aeneas’ anger was “excited by the treachery of Turnus, / whose chariot and horses have been carried / far off, and having often pleaded with / Jove and the altars of the shattered treaty” (book XII, lines 666-669). Then, the typically pious soldier goes berserk and starts slaying Turnus’ men. Virgil doesn’t seem to have a problem with the brutal warfare that Aeneas wages – and it’s not like he’d been a gentle person before, either – and one could suggest that the Italians and Etruscans brought Aeneas’ Mars-assisted wrath on themselves when they broke the treaty. I feel like seeking bloody therapy for his anger issues is against Aeneas’ own promises to the people he intends to live among. Killing everyone’s relatives isn’t going to endear you to the locals, which could cause him trouble down the line, whenever Fate decides to stop backing him. Not that he should have avoided bloodshed if anyone was actively attacking him, but Aeneas should have just gone after Turnus and Juturna. If his devotion to that death he sought to give had remained single-minded, I feel like this whole affair would have been done with so much sooner.
Thursday, January 28
oh hey, i totally forgot about this blog
prompt: create tension or even contradiction between physical behaviour and dialogue.
=
The flock disperses, and you’re wresting free a notebook from your backpack when she’s suddenly glowing in front of you, dropping her book on your desk.
“Hi!” Her eyes are bright, her smile is downright luminescent, and she’s doing that tapping thing with her neon varnished nails like she’s nervous. Instead of responding, you cleverly gape at her, but you don’t seem to lose face; she’s not paying attention.
“So, you’re real good with this literary s…theory…stuff, right? Since I made sure to beat out the competition for your services, think you’d be willing to partner with me - help a buddy out?” her expression is cute, that head tilt furthering the effect of her lopsided smile, and you are a dirty disgusting sap.
“Oh, uh-yeah, uh…I’m all about enriching other people…and…Shakespeare.” You have no idea what you’re saying, but maybe if you smile the whole time, she’ll just go along with it.
“Fantastic,” she declares, and when an unsuspecting fellow classmate gets up to sharpen his pencil, she drags his desk over beside yours and plops herself down. Chin on hand and wide-eyed, she turns her ‘I am a fascinated pupil’ look on you.
“All right: Romeo and Juliet. Tell me about it…what’s the tragedy?” You are aiming for an authoritative-yet-friendly tone, and you think you mostly succeed, because she’s rolling her eyes but still smiling at you.
“Aren’t you supposed to tell me?” She leans sideways, not breaking eye contact as her face gets closer, and then bats her eyelashes. You think you understand the joke.
Cautiously – because God, how embarrassing would being wrong be – you incline your head like you plan to impart something profound. Constructing something witty instead, you let your mouth hang open and try to remember to breathe through your nose; “What, have you never learnt by doing?”
She snorts, “Often.” Her chin takes flight from its perch on her palm, and she turns to squint at the potentially legible scribbles on the chalkboard.
You suspect there has been some miscalculation, on your part.
“So, why didn’t they just run away?” she randomly bursts, before enough awkward silence has passed for you to come up with something to break it.
As you have spent the last few moments silently self-berating for reasons you don’t quite understand, you have completely lost the thread. “…Who?”
This time, her smile slow burns like acid. “Romeo? Juliet? The people in the play? ”
You have long suspected that you live in a Woody Allen film. Therefore, you are privy to the reason why he only makes movies, and never TV shows; the sheer amount of social incompetence involved in such a concept is too exhausting for any actor to maintain on a weekly basis. “Uh…why should they have to?”
She fixes her ‘see me unimpressed’ look on you, but you warm to your subject; this terrain is well-traveled. “Well, I mean…if you had gotten a boyfriend – a husband – would you expect to need to flee the country and your family just to live? No, you would not. And that’s the point; the feud between families was so bad that they couldn’t even associate with the same people. It was ridiculous and pointless.”
She snorts again, but Shakespeare seems to warrant less derision than you apparently did. “Worst. Breakup. Ever.”
“Well Romeo and Juliet died at the end, yeah, but they technically didn’t break up –”
“No not them. Although they weren’t technically really together, so I guess they never broke up either.” Her eyes have closed, and the heel of her palm is now supporting her cheekbone.
Your eyes shift to the bulletin board on the right of their own accord. “Uh, did you read the book? Because they got married.”
“Did you?” She shot back, eyes still closed. “Because their entire relationship was shorter than Kevin Federline and Britney Spears’ marriage.”
You are proud to not really know who she’s talking about, but her tone – and the fact that the professor will think she’s sleeping and mark the both of you down for it – has begun to grate. “Well since you know so much about it, why did you need my help?”
“I was sleeping during the lecture; I have no idea what we’re supposed to be doing. You’re the one who answers like, every question.” With each sentence, she looks and sounds progressively more like she’s falling back asleep. Her hair is a bit knotty where she’d tangled her fingers near the beginning of class, and she seems strangely duller than you remember her being just five minutes ago.
You still kind of want to help her out. “We’re supposed to analyze the varying…ah… opinions, I guess, of the characters on marriage and love.”
She lifts her head to stare at you with bleary eyes. “What opinions? Juliet tricks Romeo into marrying her because he wants to do her.” She does that snorting thing again. “He would have been better off staying with that Rose Lee chick, even if she didn’t put out, or whatever.”
That’s…an unusual interpretation. “Well no, he…I mean he liked Rosaline, but Juliet caught his eye because…um,” you have no idea what drew him to Juliet. Something about how she’d been shining bright – which is a weird way to say she was beautiful; it’s not like she would have been glowing neon or anything. “Ok, marriage is a long way to go for sex.”
“Well, you know; the things guys’ll do to get laid,” she says, flippant. At least she looks awake again. “Wait, is that why it’s a tragedy? Because everyone in those families was an idiot?”
You stare at her. She, finger-combing those snarls out of her hair, raises her brows, waiting. “...Yes! See, there you go! Impulsiveness with infatuation or with quarreling is much frowned upon by Shakespeare. Well done.”
She looks you up and down; only the one eyebrow still arched now, but doesn’t say anything. She just picks up her book and her bag, yawns, and meanders off. Around you, the classroom is a flurry of movement; the other students are packing away their books and laughing their way out the door. The class had ended at an unusually convenient time, allowing you to wrap up – sort of – your long, strange trip of a conversation before coming to a close.
Sunday, November 22
this is a post of mildly-intellectual delirium.
i think that's how many people start out, as children. all aspects of them understand when they are hungry and when they are tired and when they need to run around, and when they need someone soft to hold them, and neither mind nor brain have any compunction with this. all is well.
then slowly, often only subconsciously, one's brain realizes that one's body does not always come through when needed. that clever mental organ registers obstacles in a path, and charts routes around them, but the feet plod along, too large or too ill-coordinated to change course at the right moment, or to configure the correct trajectory adjustments, and the body stumbles. bangs its knee into a coffee table that the brain swears was just a little left of where those confounded feet were supposed to be. and if the mind is healthy enough, the brain figures out how to adapt to this realization about the body's limitations, to regulate the responses of the body and tune the reflexes in accordance with the way the brain processes stimuli. the soul copes, and all aspects melodize in sync once again, dissonance resolved.
then other people come onto the scene.
for some reason, many children come to believe that the views of society trump all other data/stimuli. in terms of sexuality, in terms of propriety, in terms of acceptable 'white' lies, in terms of acceptable 'blackballing' discrimination, etc. so if the body wants sex with men, or the soul is repulsed by an unwanted acquaintance, etc, society informs the brain that these needs and desires must be repressed, and whichever particular collective reality of 'the times' be maintained.
i never showed up for that lesson in civilization-building.
when confronted with constraints on my behavior, handed down to my brain from an entity outside myself, i would analyze each order. for every entreaty that was, once stripped bare of marketing, discovered to be bare also of logical structure, i tallied up another disobedience. in short, my rationally motivated mind realized that, if my body is not infallable, neither can my brain be. to all internal sectors, a message is conveyed - regulate how much the brain relies on input from other persons when formulating a decision. and that was all i needed to do. inner harmony stabilized, and checks & balances in place, i could get on with my life sans the identity crises that so commonly plague teenagers.
so i did.
Wednesday, October 21
i am the seagull... no, that's not it. i'm an actress!
once again Jacob, i love you, and your strangely philosophical recaps of a fucking tv show.
"Everything that rises must converge, and all that. Tending to one's own garden; being at peace. No, it sounds like settling when you say it that way. Living is not about complacency. But there comes a point when you realize some very important shit. I don't know all the things, I probably know very few of the things, but the things I know, which number exactly four, are as follows:1) Nobody is watching you on secret cameras, so stop worrying about it. You'd be surprised how much pointless shame you can shed every day just by looking at the fucked-up thing you did and thinking about how fucked up it was for a few minutes. Then, drink a glass of water and get the fuck over yourself.
2) Your reputation is everything, but it's also totally recoverable. People are more worried about their shit than they will ever be about yours, and are looking for any opportunity to cut you a decent break, just so they don't have to think about you anymore. Your reputation is made up entirely of acts and behaviors, as perceived by other people (only the ones whose opinions are relevant). Do a thing enough times, and that's the person you are. Everything that happens to you from the direction of other people is entirely a reaction to this person. If you don't like those reactions, do a new thing instead, and after just a few times you will magically become a new person. Monitor the new responses.
3) Generally, we only look closely at the situation when it has become untenable. That's rough, because when the situation is untenable is precisely the point at which your best bet is to accept it as it is, and think about ways to change it. Instead, when things are bad is when we're most likely to wig out and act like idiots. You can't change what is until you're willing to look at what is, the ingredients and causes, and the ingredients it contains for the next thing. It changes every second, so you might as well be in charge of that and utilize your vast opportunities to choose the next what is.
4) Every minute that goes by, one of your futures dies. That's scary and it's sad, but it also means clarity. That sense of purpose S was talking about last week. Getting older means splitting less of your hope and energy into those million possible futures, and keeping more of it for yourself -- right now -- to keep moving forward toward what you really do want. And that's what Lily means. It's not about giving in, it's about giving up the maybes, one by one, until you become whole.*
*(This part will never actually happen, but you have to keep pretending it's going to, for your entire life. That's what Blair's Voltaire quote means: Hoe your own garden, for the rest of your life, because it is art, and it is very simple, and it is very hard to pull off correctly.)"[TWoP recap of a Gossip Girl (yes you read that right) episode]
the thing about never being whole is what really gets me, because i interpret it like this:
being whole is about the essence of a person. the every reaction to any scenario. we are those little artsy coffee/tea mugs from Portugal; from the moment we are thrown into a specified shape, that is how we define ourselves. putting a handle on it, sticking it in the kiln and painting it, swirling little white spiral designs on the side, firing it up again, drinking out of it, etc - that's all a reaction to a mug. a cup. which really is still just clay, even if we never think of it as such.
i could go into Aristotle vs Plato, and the object vs the idea, but metaphysics is less important to my point than sociology. we label people. we set them aflame with the belief that they are how we perceive them, when really the perception only comes in after someone has moved, has acted, has shed light on a behavior and given our eyes something to work with in the first place.
i guess my point is this: to Live, instead of merely Existing, one must take charge of one's own movement. one cannot control how one comes out of the kiln anymore than one can control how light hits another's retinas, but one can manipulate the way shapes appear. failing that, one can affect the interpretation of an object, by confronting a person with differing images. one day you're a scrawny chessgeek with 42 posters of Jean-Luc Picard on your ceiling, and the next, there are three pairs of panties hanging from your bedpost and a Nobel Peace Prize on your wall. are you any more or less you than the day before?
sane, well-adjusted people do not concern themselves with the innermost thoughts and feelings of everyone around them. they are refractions of their parents and their friends, and will only ever focus on you when you give them a reason to. so show them someone you like.
Tuesday, October 13
when they intend to unname
The problem with hipsters seems to me{sic} the way in which they reduce the particularity of anything you might be curious about or invested in into the same dreary common denominator of how “cool” it is perceived to be....One must start with the premise that the hipster is defined by a lack of authenticity, by a sense of lateness to the scene, or by the fact that his arrival fashions the scene—transforms people who are doing their thing into a self-conscious scene, something others can scrutinize and exploit. The hipster is that person who shows up and seems to ruin things—then you can begin to ask why this person exists, whether he is inevitable, whether he can be stopped, and what it will take.["The Death of the Hipster"; Rob Horning]
simply put, hipsters are the grandchildren conceived by postmodernist bitchfest orgies.
Hipsterdom is the first "counterculture" to be born under the advertising industry's microscope, leaving it open to constant manipulation but also forcing its participants to continually shift their interests and affiliations. Less a subculture, the hipster is a consumer group – using their capital to purchase empty authenticity and rebellion. But the moment a trend, band, sound, style or feeling gains too much exposure, it is suddenly looked upon with disdain. Hipsters cannot afford to maintain any cultural loyalties or affiliations for fear they will lose relevance.
An amalgamation of its own history, the youth of the West are left with consuming cool rather that creating it.["Hipster: The Dead End Of Western Civilization"; Douglas Haddow]
as with all grandchildren who've been immersed in a culture vastly opposed to the oft-touted world from their ancestors hail, the hipster movement possibly began as a way for those attracted to the lifestyle to immerse themselves in the glories of the past they've only known vicariously. somewhere down the line though, the presumably honest attempt to embrace the riches of experiences past turned into a race to collect the most pop culture references. hence the constant condescending sneer of hipsters: they can rattle off the names of more 1970s musicians than any classic rock aficionado, even if they know nothing about band members, lyrics, or guitar tabs, and that dearth of pointless, contextually nullified information is what gives them power. or something.
He’s the one / Who likes all our pretty songs / And he likes to sing along / And he likes to shoot his gun / But he knows not what it means["In Bloom"; Nirvana]
it certainly gives them something to say anytime someone asks a member of the tribe a question. if the answer neither makes sense nor has any tangential relation to the topic at hand, the technicalities don't phase a hipster; true Art is not dreamt of in philosophy, but an awkwardly-cropped rendering of Sofia Coppola dressed as a pack of Parliaments in converses, printed out from the internet and pinned or pasted onto a dingy pair of cutoff jeans stolen from a hobo in NYC.
That there exists somewhere in the past an item, ostensibly useless to humanity now, that could become a necessary accessory, is only a matter of creativity and originality...looking even farther into the past to find something that could be a mark of hipness in the present.
but let it never be said that hipsters aren't aware of their own tragedy.
An artificial appropriation of different styles from different eras, the hipster represents the end of Western civilization – a culture lost in the superficiality of its past and unable to create any new meaning. Not only is it unsustainable, it is suicidal. While previous youth movements have challenged the dysfunction and decadence of their elders, today we have the "hipster" – a youth subculture that mirrors the doomed shallowness of mainstream society....We are the last generation, a culmination of all previous things, destroyed by the vapidity that surrounds us. The hipster represents the end of Western civilization – a culture so detached and disconnected that it has stopped giving birth to anything new.["Hipster: The Dead End Of Western Civilization"; Douglas Haddow]
whatever, hipsters; i maintain that there is always something unique and interesting waiting to be discovered and appreciated. there may only be five original stories ever, but the eyes that observe and are moved by them have yet to find a doppelganger. i've sifted through your last, lost generation and remain bored; i demand my beatniks back.
otherwise, i'll see you at the bottom.
Saturday, September 12
the youth is starting to change / are you [Being and Nothingness]
what i love most about "OIS" and masterpieces like it is that one can immerse oneself in it every year (every month, even, if one possessed a sieve-like memory) and come away from the experience with something new to ponder. The episode's surface premise is about a girl (called River); this is the story of how she finally folded into the family that found itself extending membership to her. this is the story of how she folded into the sense of self that started to surround her. this is the story of how she began building herself, more than simply a body, an object: this is the story of how people make themselves.
Jubal Early: So is it still a room when it's empty? Does the room... the thing... have purpose? Or do we.... what's the word?the truly masterful aspect of the episode is that, with simple sidenote questions like that, the climax of the plot is basically an epic battle of philosophical wits between two highly intuitive characters, River the psychic with a fractured sense of self, and Jubal Early the bounty hunter who views all things as props on which he can potentially rest his goals. lurking beneath the plot, "OIS" explores how these two perceive the impact of functionality; whether or not an object's purpose emulates its essence, or if the two concepts are intertwined, but separate.
Jubal is driven by utilitarianism. The meaning of things is defined for him by the use they're put to. He can't see how River's claim on the room - its identity through her - can exist when she's not using it - the meaning of the space flows from its purpose.beneath even that? the aforementioned coming-of-age story. existentialists insist that everything is absurd. meaning is always symbolic, always imparted. we are all just objects, making up aspects of ourselves to better relate to one another in the space we share. and yet, when no one else shares our space, when the room is empty, to whom do we relate? who are we when without an audience? is that even a valid question, or are we always performing, even for ourselves?
River experiences the Being, the Sein, of the object; she conceives of it in a way that brings awareness of the worldhood of the world. Early, however, seems to be approaching the world in a more utilitarian way, in that he understands objects to have an essence in the work that they do, in the way that they are used. What is interesting, however, is that Heidegger specifically says that the essence of a thing is discovered in its usage: a tree only becomes itself when it is transformed into lumber and built into a house, for example.so who are people? when we are alone, are we the same as when we are surrounded by others, by their expectations? or does the definition of who a person is rely on actions, not perceptions; when i type this sentence, i am a Writer, and a Philosopher, but once i turn off my computer and go to sleep, do i cease to be either of those things?
some people embody this concept. they compartmentalize their own characteristics; work stays at the office, and family stays at home. they transform themselves, but are they different people or simply different aspects of the same creature? does it matter?
regardless of an individual's answer to those questions, "OIS" can stand in as a template for finding oneself. perhaps the point is not that River was right, or that the young are the most in-tune with the universe. this was her episode, after all; if she didn't win this time, then she would have remained a stunted child. what one takes away from "OIS", what i always take away, is that whomever 'wins', or is best prepared for life as an object, is the person who controls what characteristics one exudes. if i aim to be the object that is the Writer, then i embody that, and relate to other objects whilst demonstrating the functionality of a Writer. of a Philosopher. of any other definition i wish to have attributed to me. if i am an object to be used, than i determine for myself how and why i am wielded.
(the word Early was looking for is 'imbue' by the way).
Sunday, August 23
occasionally, there is productivity
Upon initially delving into research for this topic, I expected to encounter many a demand for national uniformity, versus tales of discrimination and violated rights. In a few instances, I was right; author Ronald Schmidt, Sr. notes in his rather enlightening book Language Policy and Identity Politics in the United States, that there exists a lobbying group called ‘U.S. English,’ which has three goals: to make an official language amendment, to veto laws concerning the placement of multiple languages on voting ballots, and to constrain funding for bilingual education so that the programs are only short-term (31). This group, so explains columnist Guy Wright, fears that “this English-speaking nation [will be] turned into a poly-lingual babel” ( qtd, in Schmidt 31). James Crawford, author of several works on bilingualism and politics, scoffed at this suggestion. In an article called “What’s Behind Official English?” he points out that “98 percent of U.S. residents over the age of four speak English “well” or “very well,” according to the 1980 census…Under these circumstances, who would assert that “English is under attack” and needs “legal protection” from the ravages of bilingualism?” (171).
When I went in search of arguments for the other side, my first glance turned up mostly questions. According to Schmidt, “the most prominent and emotionally heated linguistic access issue has been that of providing ballots and other election materials in languages other than English” (19). The question concerning non-English-speakers is, in the event that an official language be set in place, how would that affect their civil rights? “Is knowledge of English a precondition for the exercise of these rights? Do the more general civil rights prohibitions against discrimination on the basis of national origin include language?” (Schmidt 19).
Yet more concerns of anti-English-only lobbyists are over the power that the government would be allowed in pursuit of “enforc[ing] this section by appropriate legislation” (“English-Only A Mistake” 139). Asked in a September 1988 editorial published on the subject:”Can legislature forbid he use of bilingual or multilingual signs…? What about hospital emergency rooms? What happens to someone who disobeys the law?” (140). These activists also claim that the amendment “will codify racial and cultural bias” (“Vote No” 141) by “sending a message that [America] doesn’t like people who don’t speak English” (“English-Only A Mistake” 140). However, even the ardent dissenters admit that “the legislature is unlikely to pass any draconian laws and, if it did, the laws would be vetoed” (140).
As if in answer to these concerns, a 1983 speech by then-Senator Walter Huddleston dismisses the importance of other languages in comparison to English – in the United States, anyway – by stating “so widely held is the assumption that English is already our national language that the notion of stating this in our national charter may seem like restating the obvious” (114). Huddleston furthers that the desire for an official language stems not from a sense of classism, but via a need to maintain our cohesiveness as a nation, and that ‘melting pot’ philosophy that has allowed the United States to merge together countless cultures and ethnicities into one American whole (114-115). His position is echoed by editorials on the subject of official language proposals throughout the years; from [SOMETHING] to earnest insistence that an officiated language will “work to the vast benefit of immigrants and others in our society whose prospects for livelihood too often are crippled by deficiency in the language that propels this country’s economic life and its major activities otherwise” (“Proposal 63” 136).
Even if the United States citizens all unanimously voted for an official language, the issue is further complicated by an extreme divide over which provisions should be included in such an amendment. An assimilationist perspective is one which believes any language that is not English, while entirely within a person’s rights to use, has no place in a public forum if English is the language of government and society (Schmidt, 149-161). One would seek to ensure that English was used in every aspect of public life, including the workplace with the secretary of state’s office or a polling locale as an aspect of that public arena. All other languages, an assimilationist would say, should be relegated to the personal aspects of our lives, and broken out only when at gatherings with family members or friends.
A pluralist, on the other hand, wants equal rights for all languages, believing that the First Amendment rights include the freedom to express oneself in whichever language one should happen to choose, and in any locale (Schmidt 147). Pluralists do not insist upon any loyalty to a person’s ethnolinguistic roots, but they view “requiring them to leave behind the social bases of their personal identity is destructive of their fundamental human and political rights” (Schmidt 146).
Proposals to institute English as the official language of America have been around for debate in Congress since April 1981 (Schmidt 28). In his revision of the Encyclopedia of Constitutional Encyclopedia of Constitutional Amendments, Proposed Amendments, and Amending Issues, 1789-2002, John R. Vile makes note of the first Bill’s divergences in the Senate vs. the House. “The Senate version of this amendment was fairly general, whereas the House version prohibited the use of languages other than English except as a means of teaching language proficiency” (174). Though some form of the Bill is continually reintroduced into Congress, the progression of English-only statutes has been all but halted on the federal level. Along the state level, however, English-as-official-language acts have been put in place by twenty-two states in the decade since the first introduction of the idea in Congress in 1981.
It seems clear to me that the nation would benefit from the stable sense of efficiency that an official language would provide. Instead of spending excesses of money and materials, and millions of minutes and efficacy translating every document or set of instructions, our resources could be better spent on building up multilingual education programs that help to transition non-English-speakers to an American way of life – one that includes participating in our unique dialect. What is called bigotry by those too afraid to offend other cultures to recognize pragmatism is simply the progression of a nation’s growth. As early as 1923, the United States was obsessed with making its own mark on the world, and with its own vernacular. Washington J. McCormick wrote “America has lost so much in literature by not thinking its own thoughts and speaking them boldly... It was only when Cooper, Irving, Mark Twain, Whitman, and O. Henry dropped the Order of the Garter and began to write American that their wings of immortality sprouted” (41). The first generations of immigrants acclimated themselves heartily to life as Americans, and the transition continues for every individual who becomes a citizen.
Controversy. Ed. James Crawford. Chicago: University of Chicago Press, 1992. 171-177. Print.
“English-Only a Mistake: Amendment Sends Wrong Message to Tourists.” Language Loyalties: A Source Book on the
Official English Controversy. Ed. James Crawford. Chicago: University of Chicago Press, 1992. 139-140. Print.
Huddleston, Walter. “The Misdirected Policy of Bilingualism.” Language Loyalties: A Source Book on the Official
English Controversy. Ed. James Crawford. Chicago: University of Chicago Press, 1992. 114-118. Print.
McCormick, Washington J. “’American’ as the Official Language of the United States.” Language Loyalties: A Source
Book on the Official English Controversy. Ed. James Crawford. Chicago: University of Chicago Press, 1992. 40.
Sunday, July 26
favour rites
imagine it: light from a desert sunset spilling from the sunroof, pooling at the legs of the dinner table - or its first century equivalent - and Mary nags her daughters to quicker clean away the remnants of supper. "Jesus would have done it without being asked!" would she have needled? and Joseph; would he have overpraised Jesus' clever sanding technique on a cabinet meant for the richest merchant in town? "why can't you come up with creative solutions like that." or even "behold! Jesus saved the party, for now we needn't figure out who is sober enough to purchase and successfully return with more wine," must have been used at least once.
being Jesus' sibling would have been a nightmare.
not that parents don't try their best, mostly, but sometimes they cripple the children they aim to support.
i wonder if that's why the Jewish traditionally come of age at thirteen, and not when the last stirrings of pubescence finally subside, or the person in question is taught to drive; is considered old enough to marry and/or consent to sex, or old enough to vote. old enough to murder or die in the name of national symbolism. it's before all these milestones that a child begins to grow up, because it is around thirteen that parents are revealed as fraudulent gods. they are not perfect. they do not have every answer. they do not have A Plan, or if they do, the scenario is not necessarily the one which will best represent you and your talents/interests.
but what if they were gods?
there is a passage, in the unexplored wilds of the internet, that spins a fanciful reinterpretation of a semi-commonly known Biblical story. in the beginning, there was God, but there were also Angels, his beloved servants. one above a crowd blazed Lucifer, the Morningstar, and God cherished him, adored them all, and they worshipped Him. Harmony was.
then God did something unexpected. He took in His celestial hands stardust and spacerock, and fashioned a magnificent chamber, which He painted with colors and scents and leafy textures. in this spherical bedroom, He laid oh-so gingerly Man.
Space stretched out, and with it frolicked Time, and frumpled Man, so sensitive to such movements. Man giggled, and Man grew, and Man grasped a hold of Knowledge and clenched tight, while God's eyes twinkled. He visited often the colorful chamber, and Lucifer learned about distance. as Man grew outwards, so Lucifer grew downwards, sinking into sorrow, boiling into rage. perhaps envy had inspired his serpent's slouching toward Eve; perhaps pride, but it was bitterness that saw him flung from Heaven's turrets.
"Lucifer, Lightbringer, most glorious of Angels, you are the greatest of my servants, the most faithful of my creations. You have never veered from my commands. Ever you have obeyed my will. Now you come before me and speak the truth about Adam and his family, for they have defied me. They flout my will, they ignore my commands. In their hands my Plan for creation comes to naught.
"And yet I say to you Lucifer, Lightbringer, that were you ten thousand times as glorious, and they ten thousand times as vile, yet would they still stand in my esteem as far above you as the stars stand from the earth. For you are a servant, whose duty it is to obey my commands and carry forth my plans, and that is all you shall ever be. And Adam and his descendants are my children, who shall inherit my kingdom, and nothing will displace them from that right. For that is the nature of the servant and the child, of the master and the father. And now it is given unto you that you shall remain and accept your lot, and the rights of my children, or you shall depart from me into the darkness never to return.
"And I say further unto you Lucifer, Lightbringer, most faithful and glorious of Angels, that because you speak out of ignorance this once do I forgive you. But should you dare ever again to slander my children before me I will put you forth from my presence with my own hand, and neither your deeds nor your obedience shall stay my judgment. For it is not meet that a father should suffer his child to be slandered by a servant, even one such as you."
God had but sacked him. God had but castrated him. with derision and alacrity God had whipslashed awareness into Lucifer; there were to be no aspirations of grandeur for the Angels. Lucifer and his lot were servants first and always. simple, replaceable staff managing God's estate, and Man was the sticky child fingerpainting over the walls. is it any wonder that Lucifer revolted?
even if the myth is mere story, quite a thrilling tale it makes, and perhaps a heartwrenching one.
the quoted section is the 'sorrows of lucifer' work of gloriousness that a lovely creature calling himself Dzeytoun penned.
Thursday, June 4
you know that i try / try to tell you the truth
i always look people in the eye when they're telling me how they feel. presumably as a sign of strength. plus, when i am talking i get all nervous sometimes about being looked into.
02. think of the last time you were really angry. why were you angry? do you still feel the same way?
i am always angry.
03. you are on a flight from honolulu to chicago, nonstop. there is a fire in the back of the plane. you have enough time to make one phone call. who do you call? what do you tell them?
there are so many things i would want to say, to so many people
...but they probably wouldn't pick up anyway.
so i would just text those i love who aren't local or known by a lot of people and tell them i love them and i will be dead soon. and then text Brandi and tell her to find my computer and how to find the passwords to everything that i own and to give them to Jamey. to whom i will give Megan's phone number and the things those passwords unlock, because he'll know what i mean by 'Speaker For The Dead.'
this is a really well-thought out scenario.
04. you are at the doctor’s office and he has just informed you that you have approximately one month to live. do you tell anyone/everyone you are going to die? what do you do with your remaining days?
i would only ever tell anyone if i needed to pull that card out in order to get something i couldn't just obtain another way.
i would get to crossing items off of my Cosmic To Do List. also i would make a will. then, on my last day, above scenario.
05. you can have one of the following two things: love or trust. which do you choose? why?
i would cheat and choose love, because with love, one trusts. not necessarily that everything is peachy, or one might 'trust' that one will be cheated on with a blond(e) or something, but to love is to do, and to know, and therefore is to trust, in self and in other.
06. you are walking down the street on your way to work. there is a dog drowning in the canal on the side of the street. your boss has told you if you are late even once more, you are fired. do you take the time to save the dog’s life?
i would take a picture of the drowning dog, save it, and then get press coverage, wherein i reference my place of work and my lack of worry about my job stability over this deed i have done. then i would quirk an eyebrow and head off to my next shift.
07. you are unfaithful to your spouse/significant other. do you tell him/her? why or why not?
supposing i were ever actually to cheat, i would closely examine the circumstances and what i learned about myself and the relationship against which i acted. if i went further than a kiss/one instance or didn't stop because of my concern for my lover (or if it's a significant emotional affair), i would end the relationship, because i would clearly not be getting out of it what i needed. if the singular instance solidified my need for the person, i would perhaps inform them, but probably not. after all, that would typically cause the relationship to end/change, which i have in the scenario discovered i do not want.
08. are you the kind of friend that you would want to have as a friend?
absolutely. and no, i am not just saying that, because i would even take the crazy bits.
09. does love = sex?
hahahahaha no.
however, to be 'in love', as we colloquially coin it, one must have that layer of sexual attraction/intent, or the feelings stirred are simply of (committed) fondness for/attachment to the person.
10. when was the last time you told someone honestly how you felt regardless of how difficult it was for you to say? who was it? what did you have to tell the person?
i tend to be honest when confronting. it's when i have curled inward, because i feel confrontation would be pointless or my desires unachievable, that i speak in riddled truths.
11. what would be harder, for you to tell a friend you love them or that you do not love them back?
the former. one gives me power, and the other places it in the hands of whomever i am hypothetically confessing to.
12. excluding romantic love, when was the last time you told someone you loved them? who were they to you?
Brandi, earlier today.
13. imagine: it is a dark night, you are alone, it is raining outside, and you hear someone walking around outside your window. who do you wish was there with you?
someone wielding a crowbar. or maybe a Spartan warrior.
would you give a homeless person CPR if they were dying? why or why not?
of course. uh, the dude's homeless, not Hitler. presumably.
you are holding onto your grandmother’s hand and the hand of a newborn that you do not know as they hang over the edge of a cliff. you have to let one go to save the other. who do you let fall to their death?
both. i don't care enough for either to wrench my arm out of its socket.
are you old fashioned?
in what way?
i don't know what that means, contextually: be more specific.
when was the last time you were nice to someone and did NOT expect anything in return for it?
i don't really believe in altruism, so technically no one does, ever, but i regularly act kindly toward people with no other conscious motive then to help them (and therefore feel like a good person, which raises my self-esteem, which makes me happy, which is for my own benefit)
which would you choose: true love with the guarantee of a broken heart, or never loved at all? why?
if your heart gets broken, is it really 'true' love?
and i would always choose to never love anyone at all, because then anything could happen and it would slide off of my merry sociopathic shoulders.
are you scared of spiders?
not usually.
would you go back in time if you were given the chance?
i would want to know how that affected the timeline(s) as i know it/them now, beforehand, but probably yes.
what are your plans for this weekend?
working.
ever been swimming in a lake or a river?
yes.
last person you drove with in a car?
uh...Manduh? Brandi?
what did you last buy?
gasoline.
what radio station(s) do you listen to?
ipod.
are you afraid of the dark?
not really, other than the random bouts of paranoia.
do you like Chinese food?
if it tastes good, yes. =]
is there anyone you wish was still in your life?
yeah
was this the best year of your life?
not finished yet, come back later.
who are your best friends?
Brandi, Sam, Jamey, Erika.
is it easier to forgive or forget?
isn't it 'forgive AND forget', as in 'one who does not forgive dwells on it and eventually snaps and mutilates the offender, who by now has no recollection of the offendee or the offense itself'?
are you jealous of someone?
in an abstract way.
what last made you laugh the hardest?
i don't remember
would you live with someone without marrying them?
i have roommates.
have you ever had a dream about people you love dying?
no
who was the last person you cried in front of?
i don't do that.
have you ever changed clothes in a vehicle?
yes.
who was the last person that made you feel safe, why?
that's a loaded question i shall pointedly not answer.
have you ever broken someone’s heart?
all the time.
have you ever dated someone older than you?
yeah.
do you believe everyone deserves a second chance?
no
Wednesday, May 20
one questions 'how to leap' and 'why' but never 'from where to what?'
one cannot have it both ways, after all, but i seem to vacillate on a scale in every given situation.
i would like to think i am not taken in like a fool, that i am of strong and skeptic mind, and that i follow logic and practicality to their conclusions before making mine.
i know that is not the case.
when someone lays down a statement as fact, i take it automatically at face value unless some instinct insists i disbelieve - what proves to be - the illusion. i latch on to the paranormal and supernatural with excitement and awe. i obey the heartstrings of my hopes and paranoia, churning my own insides at their whims.
it is this struggle to find poised balance on that scale which leads me to write this out. i have no answers for myself, only more concerns.
i abase myself before a God, but alternate complacent assurance with prideful hesitancy. the best argument i have heard for the Universe as nothing but a meshup of physical systems was something said about finding it a relief to assume life is not simply a test, and my response is only that one can learn a system's rules, and perhaps strategize to one's favor a handful of times, but one can manipulate a personality much easier, and with more regular results - especially when that personality provides one with tests by which to cheat.
even my faith in myself is skewed and circumstantial. is this a matter of pride? do i let my assumption that i can outwit, outcharm, or outsass my way around all obstacles overtake my ideas about what i believe in? should i do so more often, or less so? just how much should pride/faith inmyself should be a part of my worldview, and how much should i sacrifice to my God? or, if one takes the Atheistic standpoint, how much of my intention should i sacrifice for the (good)will of other people?
Monday, May 4
Once confined to fantasy and science fiction, time travel is now simply an engineering problem. ~ MICHIO KAKU, Wired Magazine, Aug. 2003
the rest is all just me pontificating as usual. is also copy/pasted, because my facebook message conversations are like this by nature.If we could travel into the past, it's mind-boggling what would be possible. For one thing, history would become an experimental science, which it certainly isn't today. The possible insights into our own past and nature and origins would be dazzling. For another, we would be facing the deep paradoxes of interfering with the scheme of causality that has led to our own time and ourselves. I have no idea whether it's possible, but it's certainly worth exploring.
CARL SAGAN, NOVA interview, Oct. 12, 1999
i assume that Time is the fourth dimension, and subscribe to the block theory that it's like space; we cannot be in more than one area of the dimension at once, and therefore cannot know both past and future. since we're in the middle of the tesseract though, instead of masters of it, as we are the third dimension, we can't see beyond the trees we've past and the ones we're currently staring at.
from that standpoint, time is a measurement not of the volume an object takes up, but the distance between the initial displacement of empty space and the replacement of it (as far as we can understand it, anyway). would manipulating the past then be like affecting an object's mass or girth: impossible (without understanding how to manipulate quantum mechanics)? we instead manipulate our recollection of time, via apologies and histories, much as we blur our account of space with guesstimates and analogies.
that's just talking about the actual possibility, though, not the potentiality.
i suppose the point of time travel (and anything into which effort is put) is to ensure that something of ourselves gets left behind, becomes irrevocably entangled with the universe as is, and therefore finds immortality. and for those who can't actually claim eternity through Achievement or Attachment (which leads into my presumably professional assumptions about human nature + moral psychology, as opposed to this topic, so i'll not detail that) time travel would just be an extension of faking it.
therefore, to answer your question, a perfect paragraph, short though it may be, is technically all we ever strive for. what do you expect to be written in your eulogy, a character testimony which only a relative few will ever hear, as opposed to your obituary, which seeks to notify complete strangers in few words and with little effort, that you have died, and perhaps they might give a shit (forgive morbidity) as opposed yet again to encyclopedic entries, which would detail your relevance in terms of objects/thoughts/etc that you have gifted to the general populace.
my questions are thus: for which reasons would we attempt time travel? to cement our place in the global history, or in the memories of those we have loved? and if we could all access time travel, would we learn to distrust even our own experiences in the face of the outside world? how would we relate to one another if everything was in flux? would we be bolder, knowing that we could simply buy a do-over? or would we cradle more closely our moments with one another, and a lover's promise become "i would never relive this day"?
Friday, April 24
soon, robotic beings [or zombies] will rule the world, and none of this'll matter
roll your eyes and navigate away from this page if you can't sit through three paragraphs of this before i get to the topic at hand, but i just want to interrupt myself to interject that i think it's rational enough to believe in God and evolution. few people would disagree that evolution is the right course of scientific thought, but many have gotten it into their heads that once someone adds God to any equation, the person who did so expects everyone else to stop working with numbers and watch a bunny pop out from the other side of the equal sign.
one believing in God does not change what happens in the equation, only how the equation itself came to be. as no one really knows what inspired the Big Bang, God is as viable a source as 'one day the not!universe got really really bored...'.
i suppose the real dilemma comes in trying to figure out what to do about studying the origins of the universe if they did actually happen to be caused as opposed to random; some cosmologists might find themselves unable to continue working on their projects if even one answer was supernatural.
i suppose there's always evolution to fight about, which is the track i intend to switch to after this horrific excuse for a transition sentence is out of the way.
someone says "evolution" and i think of Darwin (and for some reason that puts me in mind of the Dewey Decimal system) and primates and the ol' Neanderthal vs. Cro-Magnon debate. i think of the only way we'll ever see it in action; through adaptation. i consider global warming and how which species will weather the storm (which is perhaps two puns for the price of one!) ahead.
what if it happens and all of our predictions turn out incredibly wrong? we wonder about our species and how it will evolve, but what if it develops all of these different traits - more alleles, a third strand of RNA - and eventually Homo sapiens sapiens splits into other subspecies? will it be, instead of environmental factors, due to a long line of the same sociological choices, like vegans propagating with vegans and producing children who eventually stop having canine teeth? or who's teeth and digestive systems develop into something more herbavoric than what we have now?
****
personally i think what happened was the RAO theory, except i would account for the differences in specific traits via a moderate level of interbreeding with the Neanderthals. i don't think there was enough mixing of subspecies to go the Multiregional route, however, because there just aren't enough people walking around with clearly Neanderthal traits.
i mean to say, the structure of modern-day human bodies is anatomically Cro-Magnon. if there was a significant amount of interbreeding - so much that a new species emerged in the wake of the other two - there would be evidence of it in our general population, not just in specific areas. unless i am much mistaken about the theory, the MRE posites that Neanderthals (and perhaps H. erectus?) mingled with the Cro-Magnons all over the globe, and that we have slightly varied traits (what traits, i'm never quite sure, which may be my problem) because of it. Were two different subspecies with subtle but noticable differences in cranium, shoulders, pelvis, leg proportions, etc to interbreed, i would expect their resulting children to have more than little variances; i would expect some people to have a longer skull and others to have a shorter one. i would expect variance to be everywhere, including bones, and therefore obvious in bone structure. i would expect this to be reflected in today's population.
evolution - we know it's about natural selection and the phrase "survival of the fittest" and the consequences of mutation. we know it's our only response to an ever-changing world, and that all evolution does for us is help us catch up, not keep up. we know it's involved with genetic drift and we can trace the matrilinial heritage of a species back to its ancestral representative millions of years ago, and plot a timeline of the past's changes.
we don't know how to plot the future. we don't know what sparks a new species from an old one, or where the biological lines blur between two already existing ones.
what is evolution, really? will we ever get the chance to find out - before it happens to us?
Wednesday, March 18
the child is grown, the dream is gone
Remember when cartoons used to have jokes in them that were meant for adults?
I miss that
New cartoons don't usually have them
but the older ones did, and watching them as an adult is just as fun
Zen:
well i love Butch Hartman cartoons
like Danny Phantom
Fairly Oddparents
they've got that thing where the audience isn't just kids but teens and adults too
not as cracktastic and glorious as Freakazoid or The Animaniacs, but they're the classics, so, you know.
Laskuraska:
yeah
Animaniacs was fucking great
I miss that show too
the thing is though- I don't want them to try to make new ones.
They'd ruin it ;-;
Zen:
indeed
the era has passed
it's like getting ska bands back into pop culture
Laskuraska:
yeah
Zen:
you can't. the need for them in america is gone
you can fuse some of the reggae sound, but the personality of america has changed
Laskuraska:
the question is what do we need right now, really. We're not getting it or we'd be less violent anf ig'nant.
Zen:
grown up.
indeed
Laskuraska:
We need to find out what we need and take it.
Maybe we need a big bowl of post-post rock
lol
whatever it is we need, it
's probably not here yet.
Someone needs to make it.
Zen:
hahah
we're just getting into post-postmodernism
give us time
Laskuraska:
hahaha
Yes. We're not ready for that many post-posts.
And see here is my issue with calling stuff "modern" or "post-___".
Now modern means like 60 years ago, and we're post-post-modern, And that's rediculous.
I mean, modern is supposed to be a word that refers to the state of the world right now, in'nit? As in "in modern times we use hummers instead of cars usually."
"- because we is ig'nant"
Zen:
pretty much yes
it was also supposed to be about the mindset though
instead of reminiscing about "the good ol' days" it was about moving forward
1950s was the supposedly Golden Era Of American Advancement
everything was supposed to shape up and we'd defeated the economy and hitler and we were heading to the stars
it was all go go go
until we realized some of us were falling behind
and some of us were chained to the floor
and still more of us said 'fuck you stars' and went off slamming their doors, playing loud music and practicing their Pretentious Twat Smirk in the mirror while salivating over "art" from marcel duchamp
Laskuraska: hahaha yes.
A few of us tried to build elevators
but they were like "hey no blacks and women allowed on my elevator" and then the other white guys pissed on the engine and broke the elevators because that's what you get for being a giant dick.
And the Asians were like "Hey can we not live in concentration camps anymore? The war's been over for like ten years"
and the white guys who peed on the elevators were like "Ok guys come on out"
Zen: precisely
you stole that from a history textbook.