Wednesday, December 10

why the list of literature in The Canon is interpretive

recently, i heard mention of the grapes of wrath as a fantastic work of cultured something or other.

no. not so, kool-aid.
at 18, i was instructed to read it, for my AP English class, something that pleased me mostly because i love literature like fanatic groupies love rockstars. literature is my Aragorn. this particular bit of paper, however, was nothing like Of Mice And Men, that soundbox which encased my heartstrings for Steinbeck to pluck as he chose. i don't know what happened between writing the two works, but a book that acts as victrola for too-finely tuned violin music did not inspire from this Shieldmaiden any sort of fondness. what it did inspire, in the november 2006 that first saw me hurl a book across a room, was the following:


A Waste of 619 Pages

John Steinbeck disappoints me. His work, The Grapes of Wrath, was supposed to be some amazing piece of literature that “galvanized” [1] the millions who read it. At the time, I didn’t even know what ‘galvanized’ meant (“to stimulate somebody or something into great activity”), but I expected to glance up from the novel in thought and suddenly be overcome with the feeling. An emotion did slap my face while I read, but it was far less pleasant and more idenifiable that whatever ‘galvanized’ was. That emotion was annoyance.

Here, in this novel, dozens of little plot turtles plodded along, waiting to be snatched up and turned into eloquence. Unfortunately, the only thing snatched away during my experience was my eager desire to read this book. Then I found out that either all the critics in the literary world are liars, or Steinbeck needs a new theme. After reading my 3,458th thinly veiled ‘I hate Capitalism,’ I became convinced that it was that latter one.


Granted, Steinbeck touches on several interesting topics. Key word there, by the way, is ‘touches.’ As in ‘barely glances at it,’ or ‘briefly considers veering off the dead-ended Anti-Capitalism trail to pace other pastures.’ Former preacher Casy spends a lot of time organizing strikes that worsen the economy or praying over the dead and performing other priestly rites. Whenever he can escape the obligations he takes on, Casy takes a second to ponder the Over-Soul[2] and how we’re supposed to act when little pieces of our friends and countrymen are in our minds, influencing our subconscious descions.


For the most part though, Steinbeck just forces socialism-love down the throats of the thoroughly Capitalistic consumers who supplied his salary by using said despised economic system to buy the book in which he bashes the whole process. I’m relatively[3] certain that The Grapes of Wrath was simply a cathartic (though decades-late) retribution for failing Civics.


I understand that Steinbeck endured some of the worst aspects of Capitalism, but all at the fault of Steinbeck’s own generation[4]; the overspeculation by all parties, the uncontrolled inflation, the use of credit lines as toys, and the overall irresponsible excess of the 1920s caused the Great Depression more than anything. Pure Capitalism is not to blame, for the industrial capitalism eapoused by Adam Smith calls for an “Invisible Hand” that would force everyone to, by acting in their best interests, actually perpetuate the common good[5].

I think if Steinbeck actually understood the theories behind Captialism, Socialism, Communism, and especially the latter’s contrast to its root, Marxism, then he would have written a truly fantastic novel. As it is, I’m surprised Ayn Rand didn’t send her Objectivist friends to his house to beat him up. Later, recouperating in the hospital, he could appreciate the irony of their collective action.


1. on the back of the Penguin book, The Grapes of Wrath is described as “The Pulizer Prize-winning epic of the Great Depression, a book that galvanized – and sometimes outraged – millions of readers.”
2. reference to Transcendentalism.
3. relatively meaning as certain about the truth of the following statement as the idea that molasses grows on trees.
4. Steinbeck was born in 1909; he would have been a teenager during the Roaring Twenties, and it was those younger generations that were most fashionable and radical, as the old ones were still recovering from the Great War.
5. by ‘best interests’ Smith meant in the long run, not just whatever’s interesting or wanted, but what’s needed. His capitalism works (splendidly) off of the definition of ‘best’ as what is of the highest quality or most suited to need.


two years later, and my disdain remains the same.

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